Monday, 7 May 2012

OTHER BITS OF INSPIRATION

Albury Library museum

Rouse Hill Town Centre

let the children play


Whilst watching the morning news recently I heard an interview with a lady who introduced this concept of learning for children.  I am totally sold on the idea and think it is exactly what our kids need, in this time where we don't like to let them walk to the park or local shop alone, like we did as kids.  We don't let them explore local creeks for fear of disease.  Child care centres and schools have no imagination, and are plagued with fear of legal action, so instead of providing inspiring spaces and activities they provide dull boring spaces and would prefer to punish children for not acting and responding in the way they want them too.  As a mother of an 11 year old boy, I am guilty of wrapping a little cotton wool around him and it is unfortunate that he is an only child, not one of six like me.  I feel it would different if he had other siblings.  

The other topic this leads me to is community involvement.  I live in an estate where all the small blocks are enclosed with tall wooden fences and there is only the occasional interaction with neighbours, not like the days when we had big backyards and low wire fences.   If the community interacted more with each other, quite possibly we would be more comfortable with allowing our kids to play in the streets.

I think the concept for this learning centre needs to stem from need to rekindle the community spirit.




Play for Life, a newly established not-for-profit organisation, is founded on the critical role of lifelong play. Play is central to our continued well-being, resilience and adaptation to change and our social cohesiveness as a community. From the time of birth, we are built for play and through play. The ability to play is critical not only to being happy but also to sustaining social relationships and being a creative and innovative person. Play for Life uses play to initiate important, innovative, and effective social change projects, with a focus on disadvantage and children and youth.
Our first project is an exciting and innovative project in Australian education.    It is a simple, yet highly effective way of revolutionising the way primary school children spend 25% of their time at school, that is, on the playground.
It's called "the Pod".

Inaugural Australian Children's Play Summit

What is the Pod?

The Pod is a modified shipping container, or "pod", filled with high quality "loose parts" play materials. Clean, safe scrap, otherwise destined for landfill, is carefully selected and recycled for use in the Pod. This can include anything from old car tyres and steering wheels, to cardboard tubing, milk crates, used keyboards and telephones, fabric and dress-ups.
The Pod is delivered to school playgrounds, to stimulate self-directed play opportunities at lunchtime for kids. A Play for Life staff member works with the school community to train teachers and parents to ensure that the opportunities for rich, "open ended" and self directed play are optimised at school and at home.

What We Know

The benefits of play in the development of the child are well documented. Not only is play fun, it's how they learn and is one of the principle ways in which their brains develop. Play teaches kids the skills they need to read, share, create, and become happy, well-adjusted adults. However, as more and more kids' toys become embedded with chips, buttons, and controllers, the way kids play is changing.
As a result, play is changing dramatically from a world invented by children to a world prescribed by parents and other adults. Environments where children get to be the authors of their own play are declining.
Are our children getting the play they need to thrive in the 21st century? According to reports from sources such as Harvard University, Time magazine, Newsweek, and The Futurist, the answer is no.
As the Swiss psychologist Jean Piaget once said, "Play is the answer to how anything new comes about." A playful mind thrives on ambiguity, complexity, and improvisation—the very things needed to innovate and come up with creative solutions to the massive global challenges in economics, the environment, education, and more.

Why is the Pod important today?

It is in the interest of businesses, educators, and consumers—both children and parents—to make sure that how kids are playing today, and the toys that they're using, provide them with the kind of open-ended experiences that stimulate creativity and foster critical thinking. This approach also needs to be fostered in their experience and attainment of education.
With Australia having one of the highest rates of non-completion of Year 12 in the OECD, school retention to Year 12 remains a high priority for governments around the nation.
Engaging children at school through play can be a highly effective strategy in addressing our national challenge of school retention. If children don't attend school, or feel disengaged with learning while they are at school, they fall behind. Wanting to take part is essential if children are to enjoy their learning and remain engaged. For children, play is enjoyable, and promotes their overall satisfaction of the school day and the learning environment. Play also helps them with social development and problem-solving skills and promotes creative thought and contributes to the development of vital skills like cooperation, personal responsibility and communication. Play involves doing, exploring, discovering, failing and succeeding – all important in the development of the child.
Australian governments are also recognising the vital role of play in the primary years of education. In January 2010, the Victorian Department of Education and Early Childhood Development (DEECD) introduced a curriculum for the early years of primary school that explicitly privileges learning through play-based experiences. There is now a policy climate in Victoria which requires primary schools to not only become accredited for "Learning through Play" but to also present learning through play activities as part of the curriculum.

The state of children’s play in Australia today

All children have a right to play. This is enshrined in Article 31 of the UN Declaration on the Rights of the Child. We believe that learning to play is not something adults need to teach. Provide a suitable environment, and children will naturally play. Yet our attitudes to play have changed over the generation. Children's access to self-directed, "traditional" play environments has dwindled due to:
  • parents' fear of traffic, and "stranger danger"
  • bullying
  • parents who are too busy to facilitate self directed play opportunities
  • loss of natural space due to urbanisation
  • changes in perceptions of what is best for children.
Many families now choose structured play at commercial facilities, and organised activities such as ballet and sports; and solitary, screen-based activities among children aged between six and 11 are on the increase, with more than 28 hours a week devoted to computers, mobile phones, television and other electronic devices.
As a result, the school playground is now, for many children, one of the few places where they can interact with their peers in an open, outdoor environment.




So the above is inspiration to the primary school and younger age bracket, now how about the older kids?

I recently saw an episode on ABC's Lateline that caught my attention and I felt the topics covered could be considered when designing my Learning Centre.
In particular the idea of hours of operation - The learning centre could be a place for students to go outside of school hours.  There could be homework help and many other activities for high school students as well as courses that can benefit the students in gaining employment.  For example the students run the cafe or catering service and as well as getting an education they are paid for their work.

http://www.abc.net.au/lateline/content/2012/s3479768.htm

SUSAN SMITH, REPORTER: In far-western NSW, in the Menindee Lakes country, a bold experiment at the local school is paying off. Menindee Local School is now the model which will be rolled out across NSW, starting with approximately 12 pilot schools who will sign up for the project known as "Connected Communities". Schools become the hubs in communities, a focus of health, employment and psychological support, with preschool being a major focus. 






PROJECT 2 PRESENTATION









Saturday, 21 April 2012

MY PHILOSOPHY

Learning Centre
Design Philosophy and Brief consideration

  • Building to have a strong connection with its surrounding environment
  • To feel nurtured and inspired within the internal spaces
  • To interact with the outdoor spaces in some way
  • Function to create form
  • Living room in the city
  • Practical hands on areas instead of purely visual displays
  • A place that provides after school supervised activities for teenagers and quite possibly a environment where they can seek assistance with school homework of all types.
  • A place where the basic life skills are taught (how to grow vegetable gardens, how to cook healthy meals, how to interact with others, how to budget etc).
I believe that there should be a stronger emphasis on function to create form rather than trying to fit functions withing a restricted structural arrangement.  A building should look balanced and complete without going too overboard with materials and odd shapes.

Environmental sustainability is a very important aspect of any building and this shoudl be considered right through from site preparation and material selection to building maintenence and ongoing useablity/adapdability.

In my research (through surveys) I have discovered that consistently there was a desire to interact or at least be able to see an outdoor area from the indoor spaces.  People wanted glass walls, open spaces, garden areas, natural light penetration.  There was also a need to incorporate some seating in between the book shelving, just for those moments when you need to sit down and quickly flick through a book to check that it has the information you require.

I believe the role of a Public Library is to provide:
  • A building which helps to cement together a community
  • A building that is a meeting place
  • IT learning and support centre
  • An access point to council and other services
  • A life long learning centre
  • A building which usually compliments an art gallery, museum or other
  • A place for community group projects

Space allocation
(Consideration to be given to the following)

Collection:
  • Reference collection
  • Fiction colection
  • Non fiction collections (Local studies, community languages and indigenous collections)
  • Large print collection
  • Children's collection
  • Audio visual collection
  • Special genre collection eg. Business, gardening etc.
Activity Areas:
  • Children's activity area
  • Computer games area
  • Young adults area
  • Family history service area
  • Informal reading and browsing area
  • Newspaper and periodical area
  • Study areas including separate group rooms
  • Theatre/lecture room/auditorium
  • Outdoor area/courtyard
  • Public art
Technology areas:
  • OPAC's
  • Public asscess computers, scanners, photocopiers
  • Audiovisual areas including listening posts, computer games, telvisions for dvds, portable devices
Service Areas:
  • Reference/Information desk
  • Children's desk
  • Circulation desk/self checking area
  • Community information/display
  • Community services
  • Entry foyer
  • Exhibition and diplay area
  • Refreshment area/coffee shop/vending machines
  • Banking services 
Ancillary Areas:
  • Kitchen facility
  • Public toilets including baby change and or parents room
  • Staff work room
  • Librarians offices
  • Specialis work areas (eg home library service/mobile library)
  • Stack areas and other storage facilities
  • Storage for archival materials
  • Staff room, staff toilets, shower
  • Public lockers/storage
  • cleaners storage
  • Loading and delivery area
  • Change machines and public phones

People involved with a library:

Staff
  • Librarians
  • Security
  • Cleaners
  • Admin and receptionists
  • IT
  • Gardeners
  • Audits
General Public
  • Student borrowers
  • Families - mum, dad, children
  • Elderly
  • Professional groups
Reps

Deliveries




Sunday, 15 April 2012

EXEMPLARS WEEK 6



This tute session we went through everyone's blog and each person gave a talk on some buildings which were inspirational to them.

some of my favourite exemplars were:

NYU Department of Philosophy (Steven Holl)

http://www.stevenholl.com/project-detail.php?type=educational&id=21&page=0



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The facility includes faculty and graduate student offices, seminar rooms, a periodicals library & lounge and a ground floor 120-seat cork auditorium. Steven Holl Architects organized the 30,000 square feet of interiors around a concept of the phenomenal properties of light and materials.
This vertical connection in light is activated by the presence of faculty members and students and by a prismatic film splitting the available sunlight periodically. The light effect in the stairwell changes according to the seasons and the time of day.




This building caught my attention mainly due to the use of light which was obviously planned and considered during the design of the building.  Its deliberate and intended affect on the spaces in conjunction with the materials, textures and colour pallette works so well to create such interesting spaces.


Orestad High School Copenhagen

http://www.archinnovations.com/featured-projects/academic/orestad-college/

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The college is interconnected vertically and horizontally. Four boomerang shaped floor plans are rotated to create the powerful super structure which forms the overall frame of the building – simple and highly flexible. Four study zones occupy one floor plan each. Avoiding level changes makes the organizational flexibility as high as possible, and enables the different teaching and learning spaces to overlap and interact with no distinct borders. The rotation opens a part of each floor to the vertical tall central atrium and forms a zone that provides community and expresses the college’s ambition for interdisciplinary education. The storey decks are open towards a central core, where a broad main staircase winds its way upwards to the roof terrace. The main staircase is the heart of college educational and social life; the primary connection up an down, but also a place to stay, watch and be seen. Three ‘mega columns’ form the primary load bearing system, supplemented by a number of smaller columns positioned according to structural requirement, not as part of a regular grid
The rotated decks are mirrored in the facades. Due to their rotation, the decks create openings double- and triple high while drawing lines on the façade. As a rule, the glass is smooth with the deck fronts, but on each floor, one façade is withdrawn to create an outdoor space. These outdoor spaces are connected from ground to roof. In front of the glass facades, a series of coloured semi-transparent glass louvers can open or close to protect from the sun, while adding dashes of colour to the indoor environment.

This building was of interest to me, due to the way in which relaxed study/reading/group areas were of high importance in the layout of the building.

I love the way that large areas have been dedicated to ensuring the comfort of the users.  Paticular attention has been paid to the age groups that would use these spaces.


Now may be a good time to elaborate on the exemplars that I posted last time on my blog.


Seattle Public Library (Rem Koolhaas)

http://oma.eu/search-results?searchword=seattle+library






FORM FOLLOWS FUNCTION
Rem Koolhaas is a Dutch architect whose main approach is to let the buildings required functions dictate what the builing should look like, rather than imposing a structure and making the functions conform to it.

An early design method discussed in his book Delirious, was 'Cross-programming' whereby unexpected functions were introduced into room programmes.  An example of this was running tracks in skyscrapers.

At one stage Koolhaas proposed the inclusion of hospital units for the homeless into the Seattle Public Libary.

Seattle Public Library is one that I know a little about and has been one library that has stuck in my memory, not just for some particularly interesting design features, but also because of the story behind the design of the library.  During the time that the idea of creating a library in Seattle was occuring, so too was a shift in thinking about the way a library should be designed and built.

For many years the library has been considered a place that houses just books alone, and those that used the library for research etc were to remain as quiet as mice.

http://www.spl.org/about-the-library
Some features of the library include: 
  • Creation of reading rooms which inute contemplation, reflection and information exchange across media types
  • Abandonment of the sterile, silent world of the typical library
  • An iconic structure.

Friday, 23 March 2012

HOWARD SMITH WHARVES ENTRY 6

So after 3 very late nights and almost an all nighter... I have something which may be suitable for the presentation.

In the very early hours of Tuesday morning after a receiving a certain email, I am fed up with a certain person's whole approach to the assignment.  I send an email which firmly reminds him that it is a team assignment and it is too late to be having arguments about which model is better and changing the entire form of the folie.  If he had of been involved earlier on and attended the meetings, he may have felt a bit more involved in the decision making of the group.

Anyway all that aside, Tope and I managed to meet up again on Wedneday and thoroughly went through the posters and checked the content and layout as best we could.

Some of the final images include:

3d view of facade facing Story Bridge (giving a good impression of the fixed glazing and shutters which open and close depending on which part of the Story Bridge is to be viewed).

Section showing how the structure cantilevers off the cliff.  Also giving an indication of the floor structure and the two platforms used to create an experience within the folie.
















Tuesday, 20 March 2012

HOWARD SMITH WHARVES ENTRY 5

So it is the Monday before our folie is due and unfortunately we have a certain team member who seems to not agree with what the majority (who attended team meetings) has agreed upon.  Josh would like to change the final outcome and unfortunately Tope and I think it is way too late in the peice to be changing the whole concept.  At this stage there has been no input by the fourth member.

So with the due date coming quickly, Tope and I continue to steam ahead so that we have a unified well thought out assignment for presentation on Wednesday.

I am continuing to develop the structure, interior and exterior views, the section and also working out materials.

Tope has been in charge of pulling together the overall layout of posters, sketches and additional images for posters. 

We arrange to meet again on Wednesday.